Highest earner on YT ? After getting his start as a musician on MySpace, Jeffree Star moved to YouTube, where he found a following doing makeup tutorials. He now uses his channel to tout his makeup line, which he says does at least eight figures in revenue thanks to its popular lipsticks, highlighters and eye shadow palettes. Two of YouTube’s first stars, Rhett McLaughlin and Link Neal, host Good Mythical Morning, one of YouTube’s most popular daily show on which they eat foods like Cheetos-flavored Pop-Tarts and sing with stars like Kelly Rowland. They’ve expanded their brand of comedy to four channels, a podcast, two books and, earlier this year, purchased the multichannel network Smosh for a reported $10 million.

Call it the “female Superbad.” Or read it for what it really is—a fantastic coming of age film for young women that has been sorely missing from the comedic canon for a while now. Olivia Wilde’s directorial debut was an outstanding showing, and the film feels perfectly timed. Even if it didn’t crush at the box office, Booksmart’s journey of do-good girls getting in one wild tryst before graduation is pitch perfect.

This is a fake music video created by comedy hip-hop group, ?The Lonely Island. In case you’ve forgotten, these were the same funny guys who brought you hit song spoofs like “D*ck In A Box” and “Mother Lover.” The song features R&B singer Akon, performing with The Lonely Island members Andy Samberg and Jorma Taccone. You can also catch cameo appearances by celebrities Akiva Schaffer, Jessica Alba, Blake Lively, and John McEnroe. This sketch appeared on “Saturday Night Live” as a digital short in 2011. As the title suggests, the song is about some dorky guys who are very excited because they finally got to have sex. See more amazing clips on yt.

Best clip for a song in 2019 ? This was the Newcastle outsider folk artist’s poppiest moment by far – and also, in a catalogue full of tender humanity, his most powerfully humane. He voices someone “struggling with anxiety”, who is freaked out by a tutting checkout girl and thinks a busker is using Wonderwall to swear at them. Racist violence is close at hand. But jogging – represented here by a rolling beat reminiscent of, appropriately, Kate Bush’s Running Up That Hill – keeps them going. The dogged, synth-laden climax is a triumphant affirmation of the human spirit through personal and social collapse.